VALUTAZIONE IMDb
5,6/10
22.472
LA TUA VALUTAZIONE
Un detenuto in fuga instabile terrorizza una donna sola con i suoi due figli.Un detenuto in fuga instabile terrorizza una donna sola con i suoi due figli.Un detenuto in fuga instabile terrorizza una donna sola con i suoi due figli.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 2 candidature totali
Mirage Moonschein
- Ryan
- (as Mirage Spann)
Mark Rhino Smith
- EMT
- (as Mark Ferrol Smith)
Trama
Lo sapevi?
- QuizThe term malignant narcissist is used to describe Idris Elba's character by a member of the parole board, Idris uses the same term to describe a suspect in the first episode of Luther.
- BlooperWhile Terri is speaking to her unexpected guest, a pan is on the cook top containing what are apparently two glass baby bottles inside for sterilization. She returns to the stove and the bottles are on the counter.
- Citazioni
Colin: I'm sorry. I don't mean to bother you. I just lost control of my car and wrecked it and...
Terry: Are you all right?
Colin: I'm good. I just had a crash. Do you think I could use your phone?
Terry: You live around here?
Colin: Yeah, over on River Road... I don't even need to come in. I'll stand right here. You can hand the phone, shut the door.
Terry: I'm feeding my daughter. I'll be right back.
Colin: All right, thank you
- Versioni alternativeAn alternate take of Terry's "Fuck you.... I said, 'Fuck you'" was shot for television, with the dialogue changed to "Go to hell.... I said, 'Go to hell.'"
- ConnessioniFeatured in MsMojo: Top 10 Sexiest Male Villains Pt.2 (2016)
- Colonne sonoreLet Us Move On
Written by Dido (as Dido Armstrong), Rollo (as Rollo Armstrong), Jeff Bhasker, Kendrick Lamar and Patrick 'Plain Pat' Reynolds (as Patrick Reynolds)
Performed by Dido featuring Kendrick Lamar
Courtesy of Sony Music Entertainment UK Ltd.
By arrangement with Sony Music Entertainment
Kendrick Lamar appears courtesy of Aftermath/Interscope Records
Recensione in evidenza
Idris Elba. Arguably one of the coolest actors around right now. He can pretty much carry any part given to him. Yes, I'm a fan. And, as I expected of him, he's damn good here too. Unfortunately, one great actor does not make up for a film which is short on originality.
Elba plays 'Colin.' A psychopath. Okay, so that's a generalisation. The early part of the film touches on his exact condition. However, he kills people, so 'psychopath' will work for me. And, he plays it pretty well, flitting between his natural charm and dangerous ability to bludgeon someone to death if he so feels inclined.
But, luckily for Joe Public, he's been caught and imprisoned. Of course the film would be a lot less dull if he didn't escape pretty quickly and resume his terrorising. So, he does this and seeks refuge in a woman's home, pretending that his car has broken down. Of course she succumbs to his charm and lets him in, but, again, things never stay that way for long. What follows is a typical 'cat and mouse' kind of game with her doing her best to survive in her own home. I should just point out that she can't just escape at the earliest opportunity, as she has children.
I have no problem with the plot. Yes, it could probably be a little more original, but I could still live with that. Or I could if it wasn't for the fact that it uses the same cliché over and over again (normally found in 'slasher' films). Three times (yes, I counted) in the space of about ten minutes does she totally get the drop on Elba and whack him with a fire extinguisher/lamp-thing/knife, only to run off instead of finishing him off. I know this kind of movie-gripe has been going on for years and, yes, I know if she killed him at the earliest opportunity it would be a pretty short film, but still... that lack of realism/originality just got to me after a while. Elba isn't supposed to be a monster or superhuman, yet he gets up from every blow and just chases after her – again, without killing her either due to ending the film early.
Ultimately, you can't fault the performances, both Elba and his victim do all they can with what's been given to them. It's just a shame the 'vehicle' they're in is a little bit on the stale side. I guess if you're not into slasher films you may not notice it quite so much, but, for me, it just bugged me to the point where I found it hard to carry on watching.
For die-hard Elba fans or casual viewers of the 'stalker/thriller' genre only.
Elba plays 'Colin.' A psychopath. Okay, so that's a generalisation. The early part of the film touches on his exact condition. However, he kills people, so 'psychopath' will work for me. And, he plays it pretty well, flitting between his natural charm and dangerous ability to bludgeon someone to death if he so feels inclined.
But, luckily for Joe Public, he's been caught and imprisoned. Of course the film would be a lot less dull if he didn't escape pretty quickly and resume his terrorising. So, he does this and seeks refuge in a woman's home, pretending that his car has broken down. Of course she succumbs to his charm and lets him in, but, again, things never stay that way for long. What follows is a typical 'cat and mouse' kind of game with her doing her best to survive in her own home. I should just point out that she can't just escape at the earliest opportunity, as she has children.
I have no problem with the plot. Yes, it could probably be a little more original, but I could still live with that. Or I could if it wasn't for the fact that it uses the same cliché over and over again (normally found in 'slasher' films). Three times (yes, I counted) in the space of about ten minutes does she totally get the drop on Elba and whack him with a fire extinguisher/lamp-thing/knife, only to run off instead of finishing him off. I know this kind of movie-gripe has been going on for years and, yes, I know if she killed him at the earliest opportunity it would be a pretty short film, but still... that lack of realism/originality just got to me after a while. Elba isn't supposed to be a monster or superhuman, yet he gets up from every blow and just chases after her – again, without killing her either due to ending the film early.
Ultimately, you can't fault the performances, both Elba and his victim do all they can with what's been given to them. It's just a shame the 'vehicle' they're in is a little bit on the stale side. I guess if you're not into slasher films you may not notice it quite so much, but, for me, it just bugged me to the point where I found it hard to carry on watching.
For die-hard Elba fans or casual viewers of the 'stalker/thriller' genre only.
- bowmanblue
- 10 lug 2015
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Favor Peligroso
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 13.200.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 52.543.632 USD
- Fine settimana di apertura Stati Uniti e Canada
- 24.250.283 USD
- 14 set 2014
- Lordo in tutto il mondo
- 54.323.210 USD
- Tempo di esecuzione1 ora 24 minuti
- Mix di suoni
- Proporzioni
- 2.39 : 1
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